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The Shure SM57 works best when driven hard and up close, so we start with a close-miked setup. We point the microphone directly at the speaker rather than off-axis, as we liked the tone we got with the GTR3, above. Let’s use a cheap Vox practice amp, the Pathfinder 10, and an entry-level Shure SM57 microphone to get similar results.įirst, we set up the amp and microphone. Traditionally, reamping is done by routing the unaffected signal out through an amplifier in a room. To something with more of a distinct tone, like this: Reamping can take us from this dry synth lead: Failing that, you can even just use the phone you already have. Out of the box, a practice amp and a basic microphone are all you need to get some air moving.

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Working in the box, a good amp simulator will get the job done. While they had Hansa Studios and all its amazing gear at their disposal, the good news is you don’t need an expensive setup to reap the benefits. Reamping was a common trick used by Depeche Mode on their mid-‘80s albums like Black Celebration to help them compete with stadium rock tracks on the radio. By sending our audio out into a room (either physically or virtually), we’re able to add an additional element of size and character to our part. This is all well and good but what are the benefits for us electronic musicians? Some of us may be using guitars in our productions but if not, why bother? Aside from the convenience of having a clean track with which to audition different effects, the main thing we’ll be exploring today is air. This is popular in the world of recording, as it allows the producer and engineer to get a clean take of a guitar or other instrument that can then be further treated with distortion, chorus, and other effects. These two signals can then be blended together in parallel as needed.

REAMP STUDIOS FACEBOOK HOW TO

Radial is proud to continue the Reamp tradition with the new JCR.In this tutorial, we look at how to use the technique of reamping to add size and character to dry sounds-both inside and outside your DAW.Īt its most basic, reamping is a production technique where you send a previously recorded dry track through amps and effects. In fact, Reamping is the magic ingredient that has brought many of the most esteemed recordings to life. And Reamping is no longer just for guitars… It is now common to Reamp bass, keyboards, drums, violin… you name it. With today's unlimited track capabilities, Reamping is now accessible to everyone.

An on-board mute function has also been added to allow you to shut off the signal going to the amps when making adjustments or moving mics around the studio.

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The latest Radial version features separate XLR and ¼' TRS input connectors, variable output level plus a three-position filter that lets you tame excessive highs, warm up the lows or simply bypass if you want to revert to the original circuit. It features a 100% passive design with John's original custom wound 'Made in the USA' transformer and circuit. The Radial Reamp JCR is the latest version of the original Reamp that was designed and patented by John Cuniberti. Best of all, you can Reamp the track later as the production develops. Once the magic has been captured, you can send the guitarist home and Reamp the track at will as you move the mics around the room, try various amplifiers or introduce effects. The benefits are tremendous: instead of worrying about the sound of the track, you can focus your attention on getting the best musical performance. The Reamp® JCR™ is a passive Reamper™ that allows you to take a prerecorded track and send it back to a guitar or bass amplifier and re-record it.

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